2023-2024
Gleichzeitig zwei Zeiten
3.
1.
2.
4.
5.
6.
Project
Legends
Gleichzeitig zwei Zeiten (2023) shows a macro-image of a broken screen that is reflected by a number of mirrors, which make visible the materiality of the usually invisible working mechanism of the device. The colourful pixels and liquid crystals along the cracks of the screen themselves become an image of a seductive interplay of forms. The work allows Piaget to provide insights into a hidden digital universe and to redirect the audience’s attention to the relationship between viewer and object.
Eva-Maria Knüsel, Vom Körper im digitalen Leben, 2024
1-4. installation view, Von Körper in digitalen Leben, Kunsthaus Langenthal, Langenthal - CH, 2024, © Cedric Mussano
5-6. 4 videos from 1:00 to 2:00 min, 1 broken screen, 4 screens and 8 mirors, variable size
installation view, Gleichzeitig zwei Zeiten, JURAPLATZ, Biel/Bienne - CH, 2023
2023-2024
Gleichzeitig zwei Zeiten
6.
5.
1.
4.
2.
3.
Project
Gleichzeitig zwei Zeiten (2023) shows a macro-image of a broken screen that is reflected by a number of mirrors, which make visible the materiality of the usually invisible working mechanism of the device. The colourful pixels and liquid crystals along the cracks of the screen themselves become an image of a seductive interplay of forms. The work allows Piaget to provide insights into a hidden digital universe and to redirect the audience’s attention to the relationship between viewer and object.
Eva-Maria Knüsel, Vom Körper im digitalen Leben, 2024
Legends
1-4. installation view, Von Körper in digitalen Leben, Kunsthaus Langenthal, Langenthal - CH, 2024, © Cedric Mussano
5-6. 4 videos from 1:00 to 2:00 min, 1 broken screen, 4 screens and 8 mirors, variable size
installation view, Gleichzeitig zwei Zeiten, JURAPLATZ, Biel/Bienne - CH, 2023
© 2025 Thalles Piaget. website by Samia Charef
© 2025 Thalles Piaget. website by Samia Charef